As I have jumped head first into this whole “being a serious writer” thing, I’ve exposed myself to pretty incredible literature that I can’t believe I’ve been missing. I think I’ve mentioned before that I had a decades-old habit to only read old classics, or best sellers long after they’ve lost their new book luster. I think I had some twisted sense of responsibility to catch up somehow with all the books I’d missed before I read the new stuff. Like that makes sense, or is even remotely achievable. Along with featuring new publications in my book reviews, I’ve been listening to several podcasts about the current goings-on in the literary world and I’ve come to the conclusion that I’ve been starving myself. Yes, the classic greats will always be great, but there are some truly incredible authors living right now, publishing right now, creating right now, that are simply too good to miss.
That is my disclaimer and poor excuse for never having read anything by Luis Alberto Urrea until now. Holy cow, can this dude write. I mean, it says “Pulitzer Prize Finalist” next to his name on the cover, so I should have known, but sometimes there’s a certain…pretentiousness in books with that honor…or books even close to that honor. There was nothing pretentious about this book. The House of Broken Angels is humble even in its striking beauty.
The story spans two days with the De La Cruz family as they come together for a final birthday celebration for the ailing grand patriarch Big Angel. A week before the party, his mother passes away at nearly a hundred years old sweeping the family up in a blur of reminiscing and dreaming of what the future holds.The partitions between the aging generation that made their way to America from Mexico in their youth and the younger ones who barely speak Spanish are blurred, as the De La Cruz house bulges with familia and theatrics of emotion.
A slow read, its lingering sentences draw you to read them again just to bask in their light. This is a book you read a bit at a time, letting each moment sink in before you continue. The structure reminds me of music composition. The first third of the book serves as an overture, explaining the scope of the story, introducing themes and revealing backstories of the many players. You are then submerged in a dance of perspectives as you jump from character to character, what they see and experience in the forty-eight-hour period. You fall in love with their individualities, their simple pleasures and jagged pains, known, but not acknowledged by the others.
I felt entirely immersed in the culture of this family, each person so distinct but part of a powerful whole that leapt from the page. I stopped reading at one point and announced to my husband, “This man needs to write a screenplay.” The dialogue and simple painting of the picture are so pure and perfect I couldn’t help but make small exclamations of pleasure, adoring the very act of reading his work.
This is not what I would call an easy book, but it’s not hard either. The language is easy, the story is a meandering family fable with sharp gut-checking moments when a revelation hits true north. A stunning story that deserves to be savored for every delicious word. Luckily, it’s written in bite-sized portions, easily consumed in spare moments, but the words will follow you off the page to percolate through your mind long after closing the book.
As fate would have it, while I was reading The House of Broken Angels, I listened to another podcast, not literary-related, yet they referenced and quoted Urrea’s book The Devil’s Highway as they spoke about the history of border control and immigration from Mexico. Just the small bits they read were enough to prove that this guy is not a one-hit wonder. I will be reading as much of Urrea’s writing as I can get my hands on.